Here's my attempt. This is using a CAD model of a Wildman Two Stage, but is applicable at most MPR/HPR two stage scales.
The sustainer has shortened fin roots, and the aftmost centering ring is placed up against the base of them. This will allow clearance for the interstage coupler. Conduit is run through the centering rings from the front end of the motor tube to provide a wire pathway to ignite the sustainer. Terminate the conduit ~0.5-1" below the motor mount end to make it easy to find it during prep while still allowing clearance for a motor retainer (e.g., Aeropack).
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The interstage coupler is simply a coupler with an internal bulkplate or two.
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Thrust is transferred via the joint between the forward end of the booster tube and the aft end of the sustainer tube. You can add a "switchband" to it if you'd like (as shown). This provides three benefits:
(1) allows the coupler to help in transferring thrust loads (via the switchband and also now against the aft centering ring of the sustainer);
(2) providing a place for arming switches for booster avionics;
(3) providing a location for vent holes if you want to do "fire in the hole" staging, when the sustainer is separated from the booster by the sustainer motor's exhaust (vs. by drag or by a separation charge).
Speaking of separation charges, one can be placed in the plenum created by the interstage coupler, and wired in parallel with the sustainer igniter. Unless you are using an "instant on" igniter, the charge will fire and clear the stages prior to second stage motor pressure up. Here is a cutaway view showing the space for sustainer igniter/separation charge:
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With this assembly complete, the sustainer becomes the booster's "nose cone".
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Electronics for the booster can be placed in the interstage coupler. These electronics can also control staging if you're going the "fire in the hole" route, but the problem is that if the booster drag separates unintentionally, you will not achieve second stage ignition. Plus, drag separation followed by staging looks so much cooler
It's a basic design that provides lots of flexibility. Other, more experienced two stagers (like Fred Taverni or Jim Jarvis, above) probably have better designs. This one is easy and inexpensive, both which I like.