Fore check:
Yes that is exactly what I'm saying. Mind you I'm talking about MATTE Clear only.
I'm sure you and just about everyone out here has experenced tape lift During paint application. Doesn't matter what masking material you are using either.. Including Most of the Liquid masking films. a material called Gripmask is the only execption to this statement.
To remove the possibility of under wicking between color seperations there are two steps.
First apply a Overall light Matte clear coat "between" color coats. this process seals the color coat, protecting it from other colors applied in the wrong locations, glitches and the occasional Oop! with the brush or spraycan.
Second: after application of whatever masking tape, papers or film, a light coat of matte clear, specifically at the edges of the burnished down masking will seal and prevent under wicking when that next color is applied. This process is commonly used in SCALE modeling where many colors are used on the same area of the model. Built-up of layers isn't the problem one might think as the Matte clear dry film is only about half the thickness of a pigmented paint. Not to mention you will be Scotchbright sanding down some of these coating to remove the paint dam lines of the color coats.
The funny thing is I usually DO NOT finish clear coat any of my Detailed or Scale models
Heres an F100 that was spray can camo'ed with hand painted detials, if you run your hand over the model its as smooth as a baby's butt. Matte clear between coats is the key. Don't try to use this method over chrome or mirrored finished they have a totally different proceedure
Fore Check: In the Library section of Narhams.org under the heading Tech-Tips I have a series of articles detailing painting and finsihing proceedures from filling grain and tube seams to hand detail painting techniques. I believe they are Tech-Tips 002,003,004 and 005. Might be worth a read
